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English English language Etymology Expression Grammar Language Usage Word origin Writing

Three degrees of separation

Q: How does one refer to the first degree of an English adjective or adverb? If the second degree is comparative and the third is superlative, may the first degree be called descriptive?

A: The degrees of English adjectives and adverbs are (1) positive, (2) comparative, and (3) superlative. Here, “positive” doesn’t have its ordinary meaning (the opposite of negative). In the grammatical sense, “positive” means basic or primary.

This is how the Oxford English Dictionary defines “positive” as a term in grammar: “Designating the primary degree of an adjective or adverb, which expresses simple quality without qualification; not comparative or superlative.”

The dictionary’s earliest example of “positive” as a grammatical term is from a 15th-century treatise by an English schoolmaster:

“Þe [The] positif degre … be-tokenyth qualite or quantite with outyn makyng more or lesse & settyth þe grownd of alle oþere [other] degreis of Comparison.” (From a 1434 work cited in “John Drury and His English Writings,” by Sanford Brown Meech, published in the January 1934 issue of Speculum, a medieval studies journal.)

As you know, many adjectives and adverbs change degree by inflection—that is, with a change in form. In this case, suffixes are added: “-er” for the comparative and “-est” for the superlative.

For instance, “little” as an adjective of size has the usual degree forms: “little/littler/littlest.” Similarly, the adverb “hard” has the degree forms “hard/harder/hardest.”  Here they are in sentences:

“He’s little (positive adjective), but he works hard” (positive adverb) … “He’s littler, but he works harder” (comparatives) … “He’s the littlest, but he works the hardest” (superlatives).

However, not all adjectives and adverbs work this way. Many aren’t inflected, as we wrote on the blog in 2018. To change degree, adverbs (like “more” or “less”) are added to them.

An adjective like “popular,” for example, would become “more/less popular” (comparatives), “most/least popular” (superlatives). An adverb like “easily” would become “more/less easily” (comparatives), “most/least easily” (superlatives).

There are also irregular adjectives and adverbs, where the positive, or primary, degree changes completely in the comparative and superlative. The most familiar of the irregular adjectives are “good” and “bad.” The gradations in degree are “good/better/best” and “bad/worse/worst.”

And some common irregular adverbs are “much,” which has the degree forms “much/more/most,” and “little,” which as an adverb has the degree forms “little/less/least.” Here they are in sentences:

“They were much offended” (positive) … “They were more offended” (comparative) … “They were most offended” (superlative). Here the adverbs modify an adjective, “offended.”

“He cared little about money” (positive) …  “He cared less about money” (comparative) … “He cared least about money” (superlative). Here the adverbs modify a verb, “cared.”

And speaking of “much” and “little,” they can be not only adverbs but adjectives of quantity. In that case, the adjectives can have the same degree forms as the adverbs: “much/more/most” and “little/less/least.”

Examples: “He has much/little money” (positive) … “He has more/less money” (comparative) … “He has the least/most money” (superlative).

Similarly, the adverb “well,” like the adjective “good,” has “better” and “best” as its comparative and superlative: “Your solution works well, his works better, but mine works best.”

By the way, you’ll notice that superlatives are often preceded by “the,” as in “He’s better, but you’re the best.” In its entries for many superlative adjectives and adverbs, the OED says they’re “frequently” or “chiefly” or “usually” accompanied by “the.”

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English English language Etymology Expression Language Phrase origin Spelling Word origin Writing

Orthographic origins

Q: What is the connection between “orthography” and “orthographic projection”? The definitions of the two terms seem unrelated.

A: We’ll have to look at their ancient Greek roots to see how “orthography” (the study of correct spelling) is related to “orthographic projection” (depicting three-dimensional objects in two dimensions, as on maps and in architectural drawings).

In ancient times, the combining forms ὀρθο- (ortho-) and -γραϕία (-graphia) had several different meanings that are now seen in the English words derived from them, according to the Oxford English Dictionary.

In Greek, ὀρθο- could mean straight, correct, or upright (that is, perpendicular). In “orthography,” the combining form “ortho-” means correct, while in “orthographic projection,” it means upright.

Similarly, -γραϕία could mean writing, drawing, or recording. In “orthography,” the combining form “-graphy” refers to writing, while in “orthographic projection,” its cousin “-graphic” refers to drawing. The Greek term comes from the verb γρᾰ́φω (graphō, write) and originally meant to scratch, as on a clay tablet.

The OED, an etymological dictionary based on historical evidence, defines “orthography” as “correct or proper spelling; spelling according to accepted usage or convention.” The dictionary’s earliest example is from a Middle English rendering of a Latin treatise on Roman warfare:

“Thi writer eek [also], pray him to taken hede / Of thi cadence and kepe Ortographie, / That neither he take of ner multiplye” (from Knyghthode and Bataile, 1458-60, by John Neele, a verse paraphrase of De Re Militari, circa 390, by Flavius Vegetius Renatus). In the citation, from the last stanza, future scribes are asked to preserve the rhythm and spelling in copying the work.

Although the adjective “orthographic” has been used since the early 1800s in reference to “orthography,” it originally appeared in the sense you’re asking about, “of a projection used in maps, elevations, etc.,” according to the OED.

The dictionary’s first example is from a review of a 17th-century book that discusses the optical projections from an astrolabe, a device once used to make measurements in astronomy:

“The Orthographick Projection, by Perpendiculars falling from the respective Points of the Circles of the Spheare, on the Projecting Plain: Such a Projection, if the Plain be the Meridian, Ptolemy called the Analemma” (from Philosophical Transactions of the Royal Society, London, 1668-69).

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‘Sewer,’ Uncle Matthew’s pet slur

Q: In Nancy Mitord’s novels The Pursuit of Love and Love in a Cold Climate, Uncle Matthew repeatedly uses the term “sewer” for anyone he doesn’t like. Is this a unique idiomatic quirk of his or do people in real life actually use “sewer” this way?

A “sewer” is literally a channel for carrying off wastewater and refuse, but the term has also been used nonliterally in reference to places and people. The earliest nonliteral example in the Oxford English Dictionary uses the term for Britain:

“This Island hath from time to time been no other then as a sewer to empty the superfluity of the German Nations.” From An Historicall Discourse of the Uniformity of the Government of England (1647), by Nathaniel Bacon, an American colonist who led an unsuccessful uprising in Virginia.

The next OED citation is from “London,” a 1738 poem by Samuel Johnson that describes the city as a home of hypocrisy and corruption: “London! the needy villain’s general home, / The common sewer of Paris, and of Rome.”

The dictionary’s only example that refers to people is from Mitford’s The Pursuit of Love (1945): “Who is that sewer with Linda?” The sewer is Tony Kroesig, a young banker who marries Linda, one of Matthew Radlett’s daughters.

We’ve seen a few nonliteral examples since then in novels by other writers. Most use “sewer” figuratively for someone who’s a conduit for something objectionable.

This is from Dean Koontz’s False Memory (1999): “He’s a sewer” (a reference to “a drug-sucking jerk”). And this is from Path of Blood (2006), by Diana Pharaoh Francis: “True enough, but he’s a sewer for gossip and sordid rumor.”

By the way, we wrote a post in 2016 on the reluctance of some sewing enthusiasts to call one who sews a “sewer” (pronounced SOH-er) because the term is spelled the same as the waste “sewer” (pronounced SOO-er). Instead, they prefer “sewist.” That post also explores the etymologies of both words spelled “sewer.”

And in 2021 we discussed the history of “seamstress” as well as gender-free nouns for someone who sews, including “sewer,” “sewist,” “seamster,” “tailor,” and “needleworker.”

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On Ralphs and Rafes

Q: I’ve read that the British don’t pronounce the “l” of Ralph because it was originally silent in Old English. Is that true?

A: No, the “l” was pronounced in the Old English predecessors of the name Ralph, and it’s usually pronounced now in both Britain and the US. However, some Ralphs in the UK, like the actor Ralph Fiennes and the composer Ralph Vaughan Williams, have pronounced their name as if it were spelled “Rafe.”

Words were pronounced as they were spelled in Old English, which was spoken from roughly 450 to 1100. There were no silent letters. So the “l” was vocalized in Radulf, Radolf, Raulf and Raulfus—the Old English predecessors of Ralph.

The Oxford Dictionary of Family Names in Britain and Ireland (2016), by Patrick Hanks, Richard Coates, and Peter McClure, says Radulf and Radolf first appeared in the Domesday Book (1086), a survey of taxpayers in England and Wales that was ordered by William I, known as William the Conqueror.

The authors add that the other two names, Raulf and Raulfus clericus (Latin for Raulf the clerk), showed up soon afterward in the 1095 feudal records of the abbey of Bury Saint Edmunds. The four Old English names are all derived from the Old Norse Raðulfr (“counsel wolf” or “wise wolf”).

The dictionary, now considered the definitive authority on British and Irish family names, is a four-volume, 2,992-page work that was 20 years in the making.

Some other family-name references cite Raedwulf (“red wolf” in Old English) as the original Anglo-Saxon ancestor of Ralph. However, the Oxford authors don’t include it and apparently don’t consider Raedwulf, the name of an obscure king of Northumbria, an early form of Ralph.

The ancestors of the name Ralph in Middle English, which was spoken from roughly 1100 to 1500, include Radulfus (1140), Raulf (1296), Rolf (1308), Ralf (1327), and Rolffe (1410), according to the Oxford authors.

The earliest “l”-less version, Radufus, appeared around 1200 in a Danelaw document from Lincolnshire. Danelaw, or Danish law, held sway in parts of northern and eastern England that had been occupied by the Danes and other Norse invaders.

Additional early “l”-less versions cited in the Oxford reference were Raffe and Rauf, which were recorded in 1273 in the Hundred Rolls, a census in England and part of what is now Wales.

The “Rafe” pronunciation of Rauf and Raulf emerged as the articulation of vowels underwent a vast upheaval in late Middle English and early Modern English (from roughly 1350 to 1550). Linguists refer to this as the Great Vowel Shift.

As the Oxford authors explain, “In late Middle English the diphthong -au- was sometimes simplified to long -a-, later pronounced ‘ay’ as in modern English day, which accounts for Rafe. This pronunciation of the personal name Ralph is still occasionally found in modern times.”

The “Ralph” spelling of Raulf and Rauf became common in the 16th century, according to the family-name dictionary. Printing, which had been introduced into England the century before, helped standardize that spelling, but some Ralphs have continued to pronounce their name without the “l,” as “Rafe.”

One of those Rafes, the British philosopher Ralph Wedgwood, says, “My name has always been pronounced in this way by my family and close friends. (I was named after my great-grandfather Ralph L. Wedgwood (1874–1956), who always pronounced it in this way as well.)”

In a page entitled Ralph on his website, Wedgwood says he doesn’t object when strangers pronounce his first name the usual way, but he doesn’t feel this pronunciation “is really my name at all.”

“I love my name,” he writes. “To me, it somehow seems to sum up the quirky historical contingency and poetry of language, all in one sonorous monosyllable.” (His full name is Sir Ralph Nicholas Wedgwood, 4th Baronet, though he doesn’t mention the title on his website.)

We’ll end with a passage from Gilbert and Sullivan’s H. M. S. Pinafore, in which Little Buttercup rhymes the first name of Ralph Rackstraw with “waif”:

In time each little waif
Forsook his foster-mother,
The well-born babe was Ralph––
Your captain was the other!

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