Q: What’s the origin of “cut to the chase”? Keystone Cops? Hounds on a fox scent? Or other?
A: The expression “cut to the chase,” which was first recorded in the early 20th century, is derived from the use of the verb “cut” in filmmaking to mean move rapidly from one scene to another.
The Oxford English Dictionary defines this sense of “cut” as “to make a quick transition from one shot to the next.” The earliest example that we’ve seen for the usage is from an early 20th-century book on motion-picture technique:
“Perhaps we can cut to Sam wondering what effect the marriage will have on his chances” (from Technique of the Photoplay, 2d ed., 1913, by Epes Winthrop Sargent). Oxford cites as its first example a different passage from the 1916 third edition of the book.
The OED, an etymological dictionary based on historical evidence, says the expression “cut to the chase” was originally a film usage meaning “to cut to a chase scene; (hence) to cut to an interesting or fast-paced part of a film.”
The usage appeared in writing for the first time in J. P. McEvoy’s Hollywood Girl (1929), a novel about a Broadway showgirl who finds success in the Hollywood talkies. These three passages in the novel are from script directions in a fictional screenplay (the OED cites an abbreviated version of the third passage):
(1) “Chaney in plaster cast, chewing orchids. Cut to chase”; (2) “with a custard pie klunk that’s a laugh isn’t that a wow now we cut to the chase”; (3) “Quick flashes, breasts, hips, legs. Jannings escapes―I’ll figure it out later … Cut to chase.” (The ellipsis is in the novel.)
As far as we can tell, the expression didn’t appear in print again until 15 years later. In this example from a Canadian newspaper, it’s one of several slogans that Helen Deutch, an MGM screenwriter, has on a wall of her Hollywood office:
“Miss Deutsch has another motto, which had to do with the writing of cinematic drama. It also is on the wall where she can’t miss seeing it, and it says: ‘When in doubt, cut to the chase’ ” (Winnipeg Free Press, March 10, 1944).
In a few years, the usage took on its usual current sense, which the OED defines as “to get to the point, to get on with it; to concentrate on the essential elements of an issue, etc.” The earliest example we’ve found is from a Massachusetts newspaper:
“Let’s cut to the chase. There will be no tax relief this year. No $300 to $400 tax credit for middle-class families. No $5,000 credit for first-time home buyers” (The Berkshire Evening Eagle, Feb. 24, 1947).
The OED’s earliest citation for this sense is from Cross My Heart (1955), an autobiography by the American writer and humorist Frank Scully: “I am the sort who wants to ‘cut to the chase.’ As far as I’m concerned, we can read the instructions later.”
Interestingly, Scully used the expression in the filmmaking sense in an earlier book: “That I suspect does not conflict with the Hollywood saying, ‘Let’s drop the romancing and cut to the chase’ ” (from Behind the Flying Saucers, 1950).
[Note: A reader of the blog offered this comment later the same day. “As someone who used to inhabit cutting rooms, I think there’s another little element to this one. Why ‘cut’? That’s because in the earlier days of filmmaking, in order to edit a film you literally ‘cut’ the piece you wanted out of the main roll with scissors, and then glued those selected scenes together.
“Later, ‘splicers’ turned up―clever little guillotine devices that made far more accurate and consistent cuts to be made, and joins to be made with clear specialist tape to create the ’cutting copy,’ the first edited version of the film.]
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